Thursday, June 28, 2012

A Brazen Approach


            I should first state that I am an avid supporter and reader of poetry. I also try my best to compose my own poetry. I have been working on a chapbook for the last six months, but I am definitely reserved about my talent. I believe my personal experience with poetry has helped me to better understand why it appears so difficult for most students. Poetry is not form. It is not vocabulary. Poetry is most definitely not something that can be explained entirely. It means different things to different people. I believe we must recognize how close poetry can be to someone. For this reason we should also figure out how to tie poetry in more closely with our students. One approach I have seen work is having them actually write their own poetry. Below is an example of a poem I have been working on titled “The Brazen Head.”

The Brazen Head

We don't fully comprehend the foundation,
the bricks, the mortar,
and the legends of the oldest pub in Dublin.
We drink fiercely.

Underneath stars and stone we are overtaken by the spirits of drink and dream.
Our heads full of grainy imagery from days past,
we waltz with the wonder of words once whispered within these walls.
Are we a part of history as well?

Will the Irishmen tell stories of the rowdy Americans:
the men with spotty mustaches,
the woman a bit plump?
There is no way of telling.

The dark black pints make us more honest.
We slide over to share our stories with the stone faced locals.
We clink our silver trimmed glasses
and we tend to the scroll written in the stone.

The scripture of stone rarely shows its face,
so let us have another pint.
A round for all my new friends.
If history be made let us not remember it.

            I’m not sure if this poem is effective in conveying the message I hope it will, but I do know that I’ve learned a lot from writing and reading poetry. I tend to imitate my poetic idols in one-way or another. This particular poem was inspired by the life of Dylan Thomas and the work of William Butler Yeats, who are two of my favorite poets. Thomas is an interesting character to me just because the way he lived his life. He had immense talent, but choose to throw it away at the bottle of a bottle. Yeats is probably my biggest inspiration. Something about his words just speaks to me in a way that few poets have. I study their poetry to unlock my own feelings on their subject matter, and I often style my work after theirs. This has helped me to become a better poet and to define my own style. I think activities like imitating or transcribing other poets’ work could be very valuable in the classroom. 

            Here are a few more poems I would like to use in my classroom:

W.B. Yeats “No Second Troy”
Dylan Thomas “Do Not Go Gentle Into That Good Night”
William Carlos Williams “A Celebration”
Walt Whitman “O Captain! My Captain!”
Samuel Taylor Coleridge “The Rime of the Ancient Mariner”
Carl Sandburg “Chicago”
Langston Hughes “The Weary Blues”
Joan Bauer “On a Flight to Cedar Rapids”


8 comments:

  1. I'm so grateful for your and Jean's bravery in posting your own work here. You are both quite talented. I especially like the alliteration in stanza 4. All those s's(?). You can almost hear the guys and gals slurring their words more with each pint that they down. Great work!

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    1. Thank you, Elizabeth. I'm glad you like the alliteration. I was worried it might be too much. A colleague of mine suggested I exploit it after reading an earlier draft, so I did.

      I'm actually quite happy with this poem. Which is definitely not usual.

      I believe that a poem is never really done. At least at this point in my writing "career."

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  2. I really liked the "w"s in the second stanza and the line "The dark black pints make us more honest," but my favorite part of the poem is the metaphoric explorations of the idea of stone ("stone-faced locals," "the scroll written in the stone," and "the scripture of stone"). This would be a great poem to discuss. And while you don't mention Robert Burns, parts of this poem make me think of his work, too.

    I'm also intrigued and impressed by the list of poems you'd like to use in a class. I'd love to hear what you see as unifying these various works (besides the important fact that you like them), and I'm happy to see you included Whitman and at least one female poet!

    As for imitating other poets' work, there are a number of published ideas for how to make this work in your class (I'll e-mail you one).

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    1. Dr. Ruzich,
      I tried to make sure to include at least one female poet. Joan Bauer is actually from Pittsburgh, so I figured she would be a good choice. Do you have any recommendations for other female poets? I'm afraid I do not know many.

      As for the poems I want to use, they don't really have anything in common that I thought about right away. However, there are many approaches I could take to teaching poetry. I enjoy the regional approach, meaning studying poetry by location.

      Thank you for sending over the email also.

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    2. Bruce, I not only knew that Bauer was from Pittsburgh, but I've met with her! Fascinating woman and writer. Here are some female poets you might be interested in: Elizabeth Bishop (I love "The Fish"), Hilda Doolittle (associated with Ezra Pound and other early 20th c. British poets), Edna St. Vincent Millay (a female Fitzgerald in poetry?), and Sharon Olds (something about her work makes me think of Dylan Thomas...look up "I go back to May 1937). Enjoy!

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  3. I liked all the alliterations too! I loved this poem, and like Elizabeth, I admire you and Jean for sharing your own work. I'm always really shy about everything I write. Your imagery and use of language is very appealing to me, stylistically. No surprise we both like Yeats.
    Some of my favorite school assignments involved writing poems. In seventh grade we all wrote poems and submitted them to this book, "A Celebration of Young Poets" and if they liked your poem it got published. It was exciting for my classmates and me to see our little poems in print.

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  4. Dear Bruce,

    I love the grainy, thoughtful tone of the poem. It went away from traditional styles of rhyme and meter to express an almsot stream of consciousness perspective that I find both innovative and intersting.

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  5. Bruce, I think this is a great poem! I especially loved your use of alliteration in stanza two, "we waltz with the wonder of words once whispered within these walls" and stanza four, "We slide over to share our stories with the stone faced locals". This poem also contains great imagery. I agree with your statement that one of the best ways to teach poetry is to have students write it themselves. It is a very hard medium to conquer. Letting students explore their world, beliefs, and experiences through the writing of poetry is a powerful teaching technique.

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