Thursday, June 28, 2012

A Brazen Approach


            I should first state that I am an avid supporter and reader of poetry. I also try my best to compose my own poetry. I have been working on a chapbook for the last six months, but I am definitely reserved about my talent. I believe my personal experience with poetry has helped me to better understand why it appears so difficult for most students. Poetry is not form. It is not vocabulary. Poetry is most definitely not something that can be explained entirely. It means different things to different people. I believe we must recognize how close poetry can be to someone. For this reason we should also figure out how to tie poetry in more closely with our students. One approach I have seen work is having them actually write their own poetry. Below is an example of a poem I have been working on titled “The Brazen Head.”

The Brazen Head

We don't fully comprehend the foundation,
the bricks, the mortar,
and the legends of the oldest pub in Dublin.
We drink fiercely.

Underneath stars and stone we are overtaken by the spirits of drink and dream.
Our heads full of grainy imagery from days past,
we waltz with the wonder of words once whispered within these walls.
Are we a part of history as well?

Will the Irishmen tell stories of the rowdy Americans:
the men with spotty mustaches,
the woman a bit plump?
There is no way of telling.

The dark black pints make us more honest.
We slide over to share our stories with the stone faced locals.
We clink our silver trimmed glasses
and we tend to the scroll written in the stone.

The scripture of stone rarely shows its face,
so let us have another pint.
A round for all my new friends.
If history be made let us not remember it.

            I’m not sure if this poem is effective in conveying the message I hope it will, but I do know that I’ve learned a lot from writing and reading poetry. I tend to imitate my poetic idols in one-way or another. This particular poem was inspired by the life of Dylan Thomas and the work of William Butler Yeats, who are two of my favorite poets. Thomas is an interesting character to me just because the way he lived his life. He had immense talent, but choose to throw it away at the bottle of a bottle. Yeats is probably my biggest inspiration. Something about his words just speaks to me in a way that few poets have. I study their poetry to unlock my own feelings on their subject matter, and I often style my work after theirs. This has helped me to become a better poet and to define my own style. I think activities like imitating or transcribing other poets’ work could be very valuable in the classroom. 

            Here are a few more poems I would like to use in my classroom:

W.B. Yeats “No Second Troy”
Dylan Thomas “Do Not Go Gentle Into That Good Night”
William Carlos Williams “A Celebration”
Walt Whitman “O Captain! My Captain!”
Samuel Taylor Coleridge “The Rime of the Ancient Mariner”
Carl Sandburg “Chicago”
Langston Hughes “The Weary Blues”
Joan Bauer “On a Flight to Cedar Rapids”


Thursday, June 21, 2012

“At the lake shore there was another rowboat drawn up.”

            Ernest Hemingway is one of the most intriguing personalities in Modern English Literature. For quite some time I have been engrossed in not only Hemingway’s works, but in his life as well. My interest started in high school when I read The Old Man and the Sea, but has continued to this very day. I am currently reading A Farewell to Arms, and I have watched the HBO original film Hemingway and Gellhorn multiple times. When searching for short stories I was naturally attracted to some of Hemingway’s shorter works. Once my eyes set on his story Indian Camp I knew it would be a text to further discuss and examine.
            Indian Camp is truly a great short story to teach in the classroom mainly because of the importance of the themes found in the work. Initiation, death, and race are just a few of the themes found in Indian Camp. The story got me thinking about my feelings on those themes, and I could see the story sparking great discussions within a high school classroom.  Most high school students have experienced some sort of death by the time they would read this story, and students could easily relate to the questions Nick Adams has at the end. The short story is very clearly written and, Hemingway’s simplistic style makes it very easy to read and understand.
            After reading Indian Camp one activity quickly came to mind. I would link Hemingway’s biography, specifically his work as a journalist, to a unique writing assignment. I would have my students re-write Hemingway’s short story as a newspaper article. I would also ask the students to create a photograph or illustration to accompany their newspaper article. After the articles were turned in I would organize them onto an online newspaper blog for all students to read. From there we could vote as a class on which article should be the front-page article, or we could critique each others article as well. After the blog has been explored we could develop one issue of the Hemingway Times as a class featuring articles relating to Indian Camp or Ernest Hemingway.
            I believe this short story would be a great introduction to a Hemingway novel, specifically The Old Man and the Sea, because it presents the author’s true style as one students could handle. After reading Indian Camp I think students would feel confident about tackling The Old Man and the Sea and possibility other Hemingway novels. For this reason and the reasons stated above, I would recommend Ernest Hemingway’s Indian Camp to just about any English teacher.
           

The Battle on Student Loans Continues

http://www.washingtonpost.com/politics/obama-and-house-republicans-face-off-over-student-loans--again/2012/06/21/gJQAtJ3osV_story.html

Thursday, June 14, 2012

Sunday, June 10, 2012

"Feed" is on my list


Feed (Amazon)
Do you think students might be interested in this Young Adult work? I can see many opportunities to engage students using this novel just after reading the description. Is this something you might be interested in reading or teaching?

Thursday, June 7, 2012

Some "Novel" Ideas


The truth about Carol Jago’s article “Much Ado About Something” is that her words made me love her. I even wrote, “I love you, Carol Jago” at the top of my print out. The reason I loved Jago’s article so much is because she echoed many of the thoughts I have had about teaching the classics. While I agree that “teenagers are hungry for stories that mirror their lives,” I also believe our students have the necessary ability to relate any text to their own lives, including the classics. The selling point for me was Jago’s reference to The Odyssey. Without this particular work, my high school experiences would have been completely different, and I will definitely try my best to teach Homer’s epics in my classroom. Like Jago, I will also try my best to teach my students “to read with care.”

Just as I was sold on teaching the classics I read Donald Gallo’s article “How Classics Create an Aliterate Society,” and my beliefs began to shift. I found myself relating to the author’s background story, and I felt as if I was a lot like him. Like Gallo I did not get really interested into reading until college, and I was never one of the best English students during high school. While I do agree with Gallo’s main goal of creating a “love of reading” in our classrooms, I do not agree with his view of the classics. Required readings have been around so long for a reason. I do not see any value in doing away with them all together, but Gallo does provide some interesting viewpoints on how to use Young Adult Literature. The main argument for teaching YAL novels is the comfort that they can provide to students. In addition, after reading Gallo’s article I have begun to recognize Young Adult Literature as an important genre of texts that need to be addressed because they are now such a large part of literature as a whole. 

William Broz’s article “Not Reading: The 800-Pound Mockingbird in the Classroom” was by far my least favorite article. At first, I found myself arguing with Broz and thinking there was far too much personal bias in his article, but he saved himself with this line: “we must have the integrity to admit that some small number of students who can read will not read, no matter what we do.” Well thank you, William. For a second there I thought you were delusional, and I still sort of believe that. I found Broz’s lists of dos and don’ts to be very helpful, but I also found myself disagreeing with his main premise. I am not sure what I think about the classics yet because I have not taught any of them yet, but when I do, I’ll be sure to revisit this article. Maybe then I will respond more favorably. 

The final assigned article by Gibbons, Dail, and Stallworth titled “Young Adult Literature in the English Curriculum Today: Classroom Teachers Speak Out” was definitely the most data driven text of the four. The biggest thing I took away from this article is that it is very possible to create an effective and engaging curriculum using both the classics and Young Adult Literature. The authors started the article off with why to use YAL novels, and I was hooked. Because of this article and many of the other assigned readings, I now see great value in teaching Young Adult Literature. I was not very interested in how the authors went about surveying, but the three themes that emerged from their research proved to be very helpful. I agree with all three themes presented, but I really liked the idea that YAL relates to students’ interests and addresses time constraints of a crowded classroom. I was not surprised to see that theme cited. Overall, I enjoyed reading this article, but found myself not taking that much away from it. I would only recommend it to certain teachers.

Rest in Peace Ray Bradbury

“With school turning out more runners, jumpers, racers, tinkerers, grabbers, snatchers, fliers, and swimmers instead of examiners, critics, knowers, and imaginative creators, the word 'intellectual,' of course, became the swear word it deserved to be.”

I think Ray would have a few more things to say about how to teach literature in the classroom. How many of you have read one or more of his works? 

Sunday, June 3, 2012

I don't think auto tune was around in the 20's

What do you think about this trailer? I am always very weary of adapting successful novels into films, but I have to say, I am intrigued by this one.